The chorale can be as simple as a traditional four-part setting, or be accompanied by an obbligato instrument, or be accompanied by the instruments of the opening chorus or even expanded by interludes based on its themes, or have the homophonic vocal parts embedded in an instrumental concerto as in the familiar Herz und Mund und Tat und Leben, BWV 147, or have complex vocal parts embedded in the concerto as in Ärgre dich, o Seele, nicht, BWV 186, in a form called Choralphantasie (chorale fantasia). In Nun komm, der Heiden Heiland, BWV 61, for the first Sunday in Advent, the beginning of a new liturgical year, he rendered the opening chorus as a French overture. It is refreshing to hear … Few people have been better positioned to observe it than J. S. Bach, some three hundred years ago. 16–18), chorale setting "Jesu, meiner Seelen Wonne" (s. 2), chorale setting "Werde munter, mein Gemüte", chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6), chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1), chorale setting "Christ lag in Todes Banden" (s. 5), chorale setting "Jesu Leiden, Pein und Tod" (s. 33), chorale setting "Herzlich tut mich verlangen" (s. 4), chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1), chorale setting "Nun bitten wir den Heiligen Geist" (s. 3), chorale setting "Jesu, nun sei gepreiset" (s. 2), (SATB) 3Tr Tmp (Fl? Ton Koopman and the Amsterdam Baroque Orchestra & Choir recorded all vocal works of Bach in 10 years starting in 1994, including the cantatas. There is evidence that he reused musical material from works that he premiered in Leipzig in the 1720s, for example the secular cantata Schwingt freudig euch empor, BWV 36.1, believed to be have been composed to honour one of the Bach's academic colleagues in Leipzig, was the basis of a secular cantata with a text in honour of Leopold's second wife.[9]. Emmanuel Music continues to perform cycles of large-scale and chamber works by Bach, Handel, Mozart, Schubert, Brahms, Debussy, Haydn, Schoenberg, Weill, Wolf, Medelssohn, and Schumann under Artistic Director Ryan Turner. Titles of the cantatas. The chorale was typically the chorale prescribed for that week (Hauptlied or Wochenlied). 10–11), chorale setting "In allen meinen Taten" (s. 9), chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3), chorale setting "Helft mir Gotts Güte preisen" (s. 6), chorale setting "Nun lob, mein Seel, den Herren" (s. 3), chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8), chorale setting "Ich ruf zu dir, Herr Jesu Christ", chorale setting "Freu dich sehr, o meine Seele" (s. 9), chorale setting "Weg, mein Herz, mit den Gedanken", chorale setting "O Ewigkeit, du Donnerwort" (ss. Bach used an expanded structure to take up his position in Leipzig with the cantatas Die Elenden sollen essen, BWV 75, and Die Himmel erzählen die Ehre Gottes, BWV 76, both in two parts, to be performed before and after the sermon (post orationem) and during communion (sub communione). Day. Bach. Voc. In Leipzig Bach was responsible for the town's church music in the Thomaskirche and Nikolaikirche and was head of the Thomasschule. The Peasant Cantata is as fresh and zesty as the Coffee Cantata and performed with the usual precision and charm one comes to expect from these two artists. Bach often held concerts at his favorite coffee house in Leipzig, “Zimmerman’s Coffee House”. Fresh Coffee Delivered. Bach's … His Easter cantata Ein Herz, das seinen Jesum lebend weiß, BWV 134, is a parody of six of eight movements of the cantata for New Year's Day, Die Zeit, die Tag und Jahre macht, BWV 134a. There is evidence suggesting that he composed a cantata as an audition piece for Mühlhausen, and this may have been Christ lag in Todes Banden, BWV 4. After Trinity of 1724 he started a second annual cycle of mainly chorale cantatas. Many opening movements are based on quotations from the Bible, such as Sie werden aus Saba alle kommen, BWV 65, from Isaiah 60:6. Nonetheless Bach would have had more singers available at Leipzig, for example, while the space in the court chapel in Weimar was limited. Advent bis zum Trinitatisfest, Kassel/Stuttgart 2007. The final words were usually a stanza from a chorale. / â / 4. The Sundays after Trinity are numbered using roman numerals (for example "Trinity II" for the second Sunday after Trinity). Bach wrote a Coffee Cantata: J.S. Helmuth Rilling, Gächinger Kantorei, and the Bach-Collegium Stuttgart completed a recording of the sacred cantatas and oratorios on Bach's 300th birthday, 21 March 1985. chorale setting "Wenn einer alle Ding verstünd" (s. 8)? He composed it probably between 1732 and 1735. Die Erde jubilieret, BWV 31, O ewiges Feuer, o Ursprung der Liebe, BWV 34, O ewiges Feuer, o Ursprung der Liebe, BWV 34a, Darzu ist erschienen der Sohn Gottes, BWV 40, Am Abend aber desselbigen Sabbats, BWV 42, Es ist dir gesagt, Mensch, was gut ist, BWV 45, Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46, Wer sich selbst erhöhet, der soll erniedriget werden, BWV 47, Ich elender Mensch, wer wird mich erlösen, BWV 48, Ich armer Mensch, ich Sündenknecht, BWV 55, Ich will den Kreuzstab gerne tragen, BWV 56, Wer mich liebet, der wird mein Wort halten, BWV 59, Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64, Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66a, Herr, wie du willt, so schicks mit mir, BWV 73, Wer mich liebet, der wird mein Wort halten, BWV 74, Die Himmel erzählen die Ehre Gottes, BWV 76, Du sollt Gott, deinen Herren, lieben, BWV 77, Gott der Herr ist Sonn und Schild, BWV 79, Jesus schläft, was soll ich hoffen? / Viola. If more than one part was composed for one instrument, the number is given, for example "3Tr" for three trumpets. sections indicated by Roman numerals (I–III), "after" – indicating a model for the composition, "by" – indicating the composer of the composition (if different from Johann Sebastian Bach), "in" – indicating the oldest known source for the composition, "see" – composition renumbered in a later edition of the BWV. The composition of cantatas for the Schlosskirche (court chapel) on a regular monthly basis started with his promotion to Konzertmeister in March 1714. The German composer perhaps best known for the Brandenburg Concertos also wrote Schweigt Stille, Plaudert Nicht, which translates to Be Still, Stop Chattering.But at Electronic Beats reports, the comic opera goes by another name, the Coffee Cantata. The high holidays Christmas, Easter and Pentecost were celebrated for three days, indicated by numbers for the second and third day, for example "Easter 3" for the third day of Easter. [33] In 1931 a recording was made of a performance of Christ lag in Todes Banden, in Barcelona. On the other hand, some modern performances and recordings use one voice per part. Although the German term Bachkantate (Bach cantata) became very familiar, Bach himself rarely used the title Cantata in his manuscripts. [38] Sir John Eliot Gardiner and his Monteverdi Choir undertook the Bach Cantata Pilgrimage, performing and recording in the year 2000 the sacred cantatas at churches all over Europe and in the United States. The Japanese yearn for hope", International Music Score Library Project, Texts of the Complete Vocal Works with English Translation and Commentary, http://www.bach-cantatas.com/Books/S0102.htm, Johann Sebastian Bach – A Listener's Guide to the Cantatas, Masses, Mass movements, Magnificats, Passions and Oratorios, https://en.wikipedia.org/w/index.php?title=Bach_cantata&oldid=995014972, Articles with International Music Score Library Project links, Articles with unsourced statements from December 2019, Articles needing additional references from August 2020, All articles needing additional references, Articles containing Italian-language text, Wikipedia articles with style issues from August 2020, Articles with multiple maintenance issues, Articles needing examples from September 2019, Creative Commons Attribution-ShareAlike License, Section in which the composition appears in BWV. Order coffee online and get craft roasted coffee beans delivered from our roastery to your doorstep. Often called As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Bach composed the cantatas and performed them, conducting from the keyboard. By Bach's own account, Aus der Tiefen rufe ich, Herr, zu dir, BWV 131, was also composed at Mühlhausen. Typically, he began a heading with the abbreviation J.J. (Jesu juva, "Jesus, help"), followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis Deo, BWV 191. In his early compositions Bach also used instruments that had become old-fashioned, such as viola da gamba and violone. Alto recorders (flauti dolci) are sometimes used in connection with death and mourning as in Gottes Zeit ist die allerbeste Zeit, BWV 106. Some cantatas are structured as a dialogue, mostly for Jesus and the Soul (bass and soprano), set like miniature operas. Violini. Exact dates (e.g. [3] The occasion for which the piece was performed is given first, in Latin: "Dominica 21. post Trinit" (21st Sunday after Trinity Sunday, with Trinit short for Trinitatem). 11, 16), chorale setting "O Gott, du frommer Gott" (s. 1), chorale setting "Was frag ich nach der Welt", chorale setting "Treuer Gott, ich muss dir klagen" (s. 12), chorale setting "Weg, mein Herz, mit den Gedenken", chorale setting "Freu dich sehr, o meine Seele", chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8), chorale setting "Helft mir Gotts Güte preisen" (s. 12), chorale setting "Zeuch ein zu deinen Toren", chorale setting "Nun lob, mein Seel, den Herren" (s. 5), chorale setting "Tröstet, tröstet, meine Lieben" (s. 3), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5), chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12), chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4), chorale setting "Wie schön leuchtet der Morgenstern" (s. 7), chorale setting "Wie schön leuchtet der Morgenstern" (s. 6), chorale setting "Nun komm, der Heiden Heiland" (s. 8), chorale setting "Ich dank dir, lieber Herre" (s. 4), chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5), chorale setting "Kommt, lasst euch den Herren lehren" (s. 6), chorale setting "Wir Christenleut" (s. 3), chorale setting "Schwing dich auf zu deinem Gott" (s. 2), chorale setting "Freuet euch, ihr Christen alle" (s. 4), chorale setting "Jesu, nun sei gepreiset" (s. 3), chorale setting "Verleih uns Frieden gnädiglich" (ss. Between 1958 and 1987, the London Bach Society, conducted by Paul Steinitz performed all the extant church and secular cantatas, 208 separate works, in various venues, mostly in the Church of St Bartholomew-the-Great, London. This is a sortable list of the Bach cantatas, the cantatas of Johann Sebastian Bach. chorale setting "Ach Gott, vom Himmel sieh darein", chorale setting "Jesu, der du meine Seele" (s. 12), chorale setting "Ein feste Burg ist unser Gott" (s. 4), chorale setting "Jesu, meine Freude" (s. 2), chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4), chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12), chorale setting "Wer nur den lieben Gott lässt walten", chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4), chorale setting "Es ist das Heil uns kommen her" (s. 11), chorale setting "Selig ist die Seele" (s. 9), chorale setting "Wer nur den lieben Gott lässt walten" (s. 7), chorale setting "Wo soll ich fliehen hin" (s. 7), chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7), chorale setting "Vater unser im Himmelreich", chorale setting "Was frag ich nach der Welt" (s. 8), chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4), satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc, chorale setting "Herr Christ, der einge Gottessohn" (s. 5), chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 4, 9), chorale setting "Sei Lob und Ehr dem höchsten Gut", chorale setting "Christum wir sollen loben schon" (s. 8), chorale setting "Das neugeborne Kindelein" (s. 5), chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6), chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8), chorale setting "Gelobet sei der Herr, mein Gott" (s. 5), chorale setting "O Gott, du frommer Gott", chorale setting "Herr Gott, dich loben alle wir" (s. 11), chorale setting "Ich freue mich in dir" (s. 4), chorale setting "Wo soll ich fliehen hin" (s. 9), chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen", chorale setting "Wachet auf, ruft uns die Stimme" (s. 3), chorale setting "Was Gott tut, das ist wohlgetan" (s. 1), chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1), chorale setting "Erschienen ist der herrlich Tag" (s. 14), chorale setting "Erschienen ist der herrlich Tag", chorale setting "Wo soll ich fliehen hin", Cantata opening: "Concerto" (incomplete; abandoned alternative start of, chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8), chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1), chorale setting "Befiehl du deine Wege" (s. 5), chorale setting "Herzlich tut mich verlangen", chorale setting "Ach Gott, wie manches Herzeleid" (ss. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? One of the more unique works that Bach composed at this time was the secular cantata Schweigt stille, plaudert nicht (literally “be still, stop chattering”), better known as the Coffee Cantata (BWV 211). Bach's oratorios can be considered as expanded cantatas. Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. He composed four such works in his third annual cycle, Selig ist der Mann, BWV 57 (1725), Liebster Jesu, mein Verlangen, BWV 32, Ich geh und suche mit Verlangen, BWV 49 (both 1726), and Ach Gott, wie manches Herzeleid, BWV 58 (1727).[5]. Only one of the cantatas, Gott ist mein König, BWV 71, had been published during Bach's lifetime. 200th Anniversary of the Augsburg Confession. More songs from Johann Sebastian Bach More songs with beverages in the title More classical music compositions He composed a secular cantata, Was mir behagt, ist nur die muntre Jagd, BWV 208, in 1713. Festive occasions call for richer instrumentation. A solo movement begins Gott, man lobet dich in der Stille, BWV 120, because its first words speak of silence. Vol. Most of the solo movements are based on poetry of contemporary writers, such as court poet Salomon Franck in Weimar or Georg Christian Lehms or Picander in Leipzig, with whom Bach collaborated. The abbreviations of performers are given for solo singers, choir (typically SATB), brass instruments (plus timpani), woodwinds, strings, keyboard and basso continuo. In a satirical commentary, the cantata amusingly tells of an addiction to coffee. In many arias Bach uses obbligato instruments, which accompany the singer as an equal partner. There is some circumstantial evidence that a complete fourth cycle of Bach cantatas, in scholarship indicated as the Picander cycle, may have existed.[11][29][30]. Other cantatas by Bach that are usually seen as belonging to the chorale cantata cycle: For four further chorale cantatas it is unclear for which occasion they were composed, and whether they were intended to be added to the cycle: After Trinity of 1725 Bach began a third annual cycle, but with less consistency. ich sehe, itzt, da ich zur Hochzeit gehe, BWV 162, Ihr, die ihr euch von Christo nennet, BWV 164, Ihr Menschen, rühmet Gottes Liebe, BWV 167, Gott soll allein mein Herze haben, BWV 169, Vergnügte Ruh, beliebte Seelenlust, BWV 170, Gott, wie dein Name, so ist auch dein Ruhm, BWV 171, Erschallet, ihr Lieder, erklinget, ihr Saiten! The Thomanerchor has sung a weekly cantata during the evening service Motette on Saturday. Bach often wrote a title page for the autograph score and copies of the original parts. The number of performances and recordings increased in the decades after the Second World War. His chorale cantata cycle contains at least 40 chorale cantatas, each of these entirely based on text and tune of such hymn. Complete Bach Cantatas. Bach's earliest cantatas are church cantatas, although his early Wedding Quodlibet … 1725: BWV 249, early version (later versions known as the, Chapters of the main catalogue indicated by Arabic numerals (1-13), Anh. Jean-Sebastien Bach (1685-1750) "Coffee Cantata" BWV 211 (extrait) - Ei! A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dir, BWV 29. BWV 214, Preise dein Glücke, gesegnetes Sachsen, BWV 215, Siehe, es hat überwunden der Löwe, BWV 219, Wer sucht die Pracht, wer wünscht den Glanz, BWV 221, Reißt euch los, bedrängte Sinnen, BWV 224, Klagt, Kinder, klagt es aller Welt, BWV 244a, Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, Alles mit Gott und nichts ohn' ihn, BWV 1127, Dich loben die lieblichen Strahlen der Sonne, Es lebe der König, der Vater im Lande, BWV Anh. Church cantata performances alternated in the two churches for ordinary Sundays and took place in both churches on high holidays such as Christmas, then one in the morning, one in the afternoon, and again alternating for the three days such an occasion was celebrated. 9–10), chorale setting "Nun lasst uns Gott dem Herren", satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc. Fritz Werner started recording with the Heinrich-Schütz-Chor Heilbronn and the Pforzheim Chamber Orchestra a series that they called Les Grandes Cantates de J.S. The following lists of works (some marked as questioned) rely mainly on Alfred Dürr's Die Kantaten von Johann Sebastian Bach. There is debate whether Bach performed Wer mich liebet, der wird mein Wort halten, BWV 59, there a week before he began his cantorate. Meineke).[37]. 21, Cantata for the birthday of Johann August of Anhalt-Zerbst, Der Herr ist freundlich dem, der auf ihn harret, Vergnügende Flammen, verdoppelt die Macht, Texts of the Complete Vocal Works with English Translation and Commentary, "A List of Church Cantatas in Presumed Order of Production", "Appendix II: The Church Cantatas Arranged Cronologically", pp. 1–2), chorale setting "In allen meinen Taten" (s. 7), chorale setting "O Gott, du frommer Gott" (s. 7), chorale setting "O großer Gott von Macht" (s. 9), chorale setting "Warum betrübst du dich, mein Herz" (s. 11), chorale setting "Ach Gott und Herr" (s. 4), chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12), chorale setting "Herr Jesu Christ, du höchstes Gut", chorale setting "Werde munter, mein Gemüte" (s. 6), chorale setting "Du, o schönes Weltgebäude" (s. 6), chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6), chorale setting "Es ist genug, so nimm" (s. 5), chorale setting "Gelobet seist du, Jesu Christ" (s. 7), chorale setting "Was frag ich nach der Welt" (s. 1), chorale setting "Jesu, meine Freude" (s. 5), chorale setting "Ein Kind geboren zu Bethlehem" (s. 4), chorale setting "Puer natus in Bethlehem", chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10), chorale setting "Was mein Gott will, das gscheh allzeit", chorale setting "Alleluja", s. 3 from "Christ ist erstanden", chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1), chorale setting "Es woll uns Gott genädig sein" (s. 3), satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Was Gott tut, das ist wohlgetan" (s. 6), chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5), satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org, chorale setting "Von Gott will ich nicht lassen" (s. 9), chorale setting "Gott Vater, sende deinen Geist" (s. 2), chorale setting "Kommt her zu mir, spricht Gottes Sohn". Coffee Cantata (Kaffeecantate). A link to the free score of the Bach Gesellschaft in the International Music Score Library Project (IMSLP) is provided if available. Schweigt stille, plaudert nicht (BWV 211) je světská kantáta Johanna Sebastiana Bacha, známá také jako Kantáta o kávě nebo Kávová kantáta.Žánrově se blíží komické opeře a někdy bývá uváděna scénicky. The cantatas are also regularly performed on Sundays at Holy Trinity Lutheran Church, New York City, under the direction of the Cantor (currently Donald R. おしゃべりはやめて、お静かに（独：Schweigt stille, plaudert nicht、別名：コーヒー・カンタータ、BWV 211）は、J. While individual cantatas were recorded as early as the 1930s, a complete set was not attempted until the 1970s when Nikolaus Harnoncourt and Gustav Leonhardt began recording the Teldec set. Magnificat) and common tunes (e.g. His secular cantatas, around 50 known works, less than half of which surviving with both text and music, were written for academic functions of the University of Leipzig, or anniversaries and entertainment among the nobility and in society, some of them Glückwunschkantaten (congratulatory cantatas) and Huldigungskantaten (homage cantatas). Colouring shows which cantatas are not extant church cantatas and which works were not even composed by Bach, but attributed to him in the past. Typically Bach employs soprano, alto, tenor and bass soloists and a four-part choir, also SATB. nun geht das Jahr zu Ende, BWV 28, Wir danken dir, Gott, wir danken dir, BWV 29, Der Himmel lacht! [11] Cantatas for some occasions are not extant. [citation needed]. The list includes both extant cantatas and, as far as known, lost cantatas. BWV 8, Wär Gott nicht mit uns diese Zeit, BWV 14, Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15, Wer Dank opfert, der preiset mich, BWV 17, Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18, Es ist nichts Gesundes an meinem Leibe, BWV 25, Ach wie flüchtig, ach wie nichtig, BWV 26, Gottlob! cantata for soprano, violin/flute, and continuo : Le Caffé is taken from the third volume of cantatas, whose texts are by Louis Fuzelier, a writer who became famous as the author of many works for the theatre. / 2. BWV 172, Bach marked a repeat of the opening chorus after the chorale. In Ich will den Kreuzstab gerne tragen, BWV 56, he wrote Cantata à Voce Sola e Stromenti (Cantata for solo voice and instruments). The Café Zimmermann, or Zimmermannsches Kaffeehaus was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. During this time, he wrote a mini comic opera or dramma per musica called Schweigt stille, plaudert nicht (Be still, stop … Instruments include, in addition to the ones mentioned, organ, flauto piccolo (sopranino recorder), violino piccolo, viola d'amore, violoncello piccolo (a smaller cello), tromba da tirarsi (slide trumpet) and corno da tirarsi. Diethard Hellmann called the Kantorei (chorale) of the Christuskirche Bachchor Mainz in 1965 and produced more than 100 cantatas on a weekly basis with the Südwestrundfunk. Masaaki Suzuki commenced in 1995 a project to record the complete sacred cantatas with his Bach Collegium Japan for the Swedish label BIS; he completed the process in 2013. For example, he titled the parts of Aus tiefer Not schrei ich zu dir, BWV 38, using a mix of languages to describe the occasion, the incipit, the precise scoring and his name: "Dominica 21. post Trinit / Aus tieffer Noth schrey ich zu dir. There is some evidence for the chorale cantatas being performed at Leipzig after Bach's death, but the cantatas were little known until a society called the Bach-Gesellschaft began to publish the composer's complete works starting in 1851. the Coffee Cantata (Schweigt stille, plaudert nicht), and instrumental works. Emmanuel Music is a Boston-based ensemble of singers and instrumentalists founded in 1970 by Craig Smith to perform the complete sacred cantatas of J.S. for one soloist singer) and dialogue cantatas for two singers. Tarnhelm Ed. Nickname for humorous cantata by Bach (BWV211, 1732) sometimes perf. 12 volumes. [6] His goal was to compose a complete set of cantatas for the liturgical year within four years. Sigiswald Kuijken has recorded Cantatas for the Complete Liturgical Year with La Petite Bande and the soloists forming the choir. [31], After Bach's death the cantatas fell into obscurity even more than his oratorios. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. The scoring is provided, grouped by singers and groups of instruments. At Coffee Cantata, freshness is key. The list follows the Bach-Werke-Verzeichnis and contains all sacred cantatas (1–197, 199), secular cantatas (198, 201–215), fragments (50, 80b, 216, 224) and works formerly attributed to Bach (15, 53, 141–142, 160, 189, 217–223), lost cantatas (36a, 66a, 70a, 80a, 120b and others), as well as works which are no longer considered cantatas (11, 53, 118). In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old Testament, Part I reflects the Gospel and Part II the Epistle.[4]. Folia), are not usually indicated in this column. Music was expected for all Sundays and holidays except the quiet times (tempus clausum) of Advent and Lent; the cantatas were supposed to reflect the readings. Bach's Chorale cantatas are based exclusively on one chorale, for example the early Christ lag in Todes Banden, BWV 4, and most cantatas of his second annual cycle in Leipzig. as opera. This page was last edited on 3 January 2021, at 07:50. The six parts of the Christmas Oratorio were intended to be performed on six feast days of the Christmas season, each part composed as a cantata with an opening chorus (except in Part 2) and a closing chorale. 2010. Date associated with the completion of the listed version of the composition. In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. He had no responsibility for church music, but his employer Prince Leopold did commission secular cantatas. The Academy of Ancient Music, Christopher Hogwood. "Cantatas for the Second Sunday after Trinity / Basilique Saint-Denis, Paris", "Chapter 11 BWV 32 Liebster Jesu, mein Verlangen", "Chorale cantatas from the cycle of the Leipzig church cantatas 1724–25", "Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach’s Cantatas", "Max Thurn & NDR-Chor & NDR Sinfonieorchester / Bach Cantatas & Other Vocal Works", https://www.theglobeandmail.com/arts/music/a-bach-cantata-two-decades-in-the-making/article15346443/, "Why Nippon Is Nuts About J.S. A continuo bass is the rule in Baroque music; its absence is noteworthy and often has a special reason, such as describing fragility. Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas. "Singing The Word: The Cantatas of J S Bach". Although the German term Bachkantate (Bach cantata) became very … II: Die geistlichen Kantaten vom 1. The new cantatas Bach composed for Easter of 1725 and afterwards were not chorale cantatas: Two of these, BWV 128 and BWV 68, both starting with a chorale fantasia, are sometimes seen as included in the chorale cantata cycle. for most cantatas) usually indicate the assumed date of first (public) performance. 6–7), chorale setting "Barmherzger Vater, höchster Gott" (s. 9), chorale setting "Ich hab in Gottes Herz und Sinn", chorale setting "Der Herr ist mein getreuer Hirt" (s. 1), chorale setting "Allein Gott in der Höh sei Ehr", chorale setting "Jesu, der du meine Seele" (s. 11), chorale setting "Gott Vater, sende deinen Geist" (s. 10), satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc, chorale setting "Wir Christenleut" (s. 5), chorale setting "Der Herr ist mein getreuer Hirt" (s. 5), chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8), chorale setting "Ach, lieben Christen, seid getrost" (s. 6), chorale setting "Mache dich, mein Geist, bereit" (s. 10), chorale setting "Straf mich nicht in deinem Zorn", chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. Although known mostly for his liturgical music, his Coffee Cantata (AKA Schweigt stille, plaudert nicht, BWV 211) is a rare example of a secular work by the composer. [36] [34][35] Karl Richter called his choir programmatically Münchener Bach-Chor in 1954 and recorded about a third of the cantatas. One or two more surviving cantatas may have been composed while Bach was at his previous post in Arnstadt, for example, Nach dir, Herr, verlanget mich, BWV 150. Bach's major works such as the Passions and the Mass in B minor are inserted in the listing for comparison. In movements with winds, a bassoon usually joins the continuo group. Hautbois. Described as a mini comic opera, 'Schweigt stille, plaudert nicht' ('Be still, stop chattering') it concerns the characters' addiction to coffee and was most likely first performed in a Leipzig coffee house. J. C. J. Academic functions took place at the Universitätskirche St. Pauli. Links are found for the individual cantatas: Bach cantatas listed in the first chapter of the, Ibbitson, John, "A Bach cantata two decades in the making," Toronto Globe and Mail, Nov. 08, 2013 URL=. The Coffee Cantata Though he was more famous for writing sacred pieces, the occasional secular gem showed Bach to be a humorous and inventive chap. Ihr herrschenden Götter der Erden, Meine Seel erhebt den Herren, BWV Anh. The cantata Wie schön leuchtet der Morgenstern, BWV1, was selected as the first work to appear in the Bach-Gesellschaft-Ausgabe, the first complete edition.[32]. 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